To edit an individual endpoint of one multirest, use the Selection Tool to highlight it, then right-click and select Multimeasure Rests > Edit from the contextual menu. You might use this, for instance, to adjust the end point of an individual multirest to avoid a collision with a clef change at the end of the multirest. In Finale, you can also change the start or end point of any individual multirest. It’s pretty easy to experiment with different widths and come up with something you like the look of. (adding “s” after the number enters the value in spaces regardless of view settings) Typically, these will be equal amounts, shown here, 1.5 spaces: At the top of the pane, you will see two numeric entry fields “Adjust Start Point” and “Adjust End Point”. In Finale (as far back as at least 2010) , Go to Document > Document Options > Multimeasure Rests. This distance setting is equally controllable in both programs. How these are set is largely a matter of personal taste, and even a small adjustment can make a big difference in the look of your parts. You can see that the Finale and Sibelius defaults are slightly different from one another. One way to subtly give your parts look a distinctive look is to adjust the distance between the ends of the multimeasure rests and the barlines, or the “white space”. The defaults for Finale and Sibelius are nearly identical. In modern charts, the standard type of multimeasure rest is called an “H-bar”. In this tutorial, we’ll learn how to control multirest settings and also, how add a unique touch to your charts in Finale and Sibelius with custom multirests. ![]() You may not have given them much thought, but Multimeasure Rests play a key role in how your parts look. ‘03d-Rhythm-DottedDurations-Factors.Let’s talk about rests. For multimeasure rests, we can also have durations that cannot be expressed with dotted notes (like 5/8). ‘03c-Rhythm-DivisionChange.xml’ Several durations can be written with dots. Here, the first half measure uses a division of 1, which then changes to 8 in the middle of the first measure and to 38 in the middle of the second measure. ‘03b-Rhythm-Backup.xml’ … … … … …… …… … … … … Although uncommon, the divisions of a quarter note can change somewhere in the middle of a MusicXML file. Voice 2 thus won’t have any notes or rests for the first beat of the measures. ‘03a-Rhythm-Durations.xml’ 16 4 24 4 3 24 … … … … … 4 … … … … … … 28 4 5 28 … … … … … … … … 4 Two voices with a backup, that does not jump to the beginning for the measure for voice 2, but somewhere in the middle. Rhythm All note durations, from long, brevis, whole until 128th First with their plain values, then dotted and finally doubly-dotted. ‘02d-Rests-Multimeasure-TimeSignatures.xml’ 2 3 2 2 4 3 4 2 In some cases, a rest might not have its type attribute set (this happens, for example, with voices in Finale, where you don’t manually insert a rest). ‘02c-Rests-MultiMeasureRests.xml’ 16 3 12 Multi-Measure rests should always be converted into durations that are a multiple of the time signature. ‘02b-Rests-PitchedRests.xml’ 5 4 Four multi-measure rests: 3 measures, 15 measures, 1 measure, and 12 measures. The first rest uses no explicit position and should use the default position, all others are explicitly positioned somewhere else. ‘02a-Rests-Durations.xml’ Rest unit test 3 until a 4 … … … … … … … Rests can have explicit pitches, where they are displayed. 128th-rest Then the same with dotted durations. Rests All different rest lengths: A two-bar multi-measure rest, a whole rest, a half, etc.
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